||[May. 22nd, 2016|09:01 pm]
The lamb's ear is blooming again, its straggly stalks tipped with small magenta flowers that are dull in shade but gleam brightly when hit by direct sunlight. The plant's more formal name, Rose Campion, sounds like a name one would see flashing by in the credits of an old movie: "Choreography, Rose Campion" or perhaps "Hair Styles for Miss Davis by Rose Campion". Its green-gray leaves, shaped like lamb's ears, were once used to make wicks. No mere flame burns as vividly as those sun-touched blossoms do, though.|
It has been a cool day, and evening has brought soft breezes to rustle the young oak leaves. The jasmine flowers have opened, but are awaiting warmer nights to release their full fragrance. Tonight smells of grass and pine. The heat will come soon enough. For now I'm content to enjoy the coolness and watch the moon rising. It was full last night, so it won't be clearing the trees for a while yet. I'll go give it a look later. Right now it's time to watch English people murder one another on television.
For the Stranger
by Carolyn Forché
Although you mention Venice
keeping it on your tongue like a fruit pit
and I say yes, perhaps Bucharest, neither of us
really knows. There is only this train
slipping through pastures of snow,
a sleigh reaching down
to touch its buried runners.
We meet on the shaking platform,
the wind's broken teeth sinking into us.
You unwrap your dark bread
and share with me the coffee
sloshing into your gloves.
Telegraph posts chop the winter fields
into white blocks, in each window
the crude painting of a small farm.
We listen to mothers scolding
children in English as if
we do not understand a word of it--
sit still, sit still.
There are few clues as to where
we are: the baled wheat scattered
everywhere like missing coffins.
The distant yellow kitchen lights
wiped with oil.
Everywhere the black dipping wires
stretching messages from one side
of a country to the other.
The men who stand on every border
waving to us.
Wiping ovals of breath from the windows
in order to see ourselves, you touch
the glass tenderly wherever it holds my face.
Days later, you are showing me
photographs of a woman and children
smiling from the windows of your wallet.
Each time the train slows, a man
with our faces in the gold buttons
of his coat passes through the cars
muttering the name of a city. Each time
we lose people. Each time I find you
again between the cars, holding out
a scrap of bread for me, something
hot to drink, until there are
no more cities and you pull me
toward you, sliding your hands
into my coat, telling me
your name over and over, hurrying
your mouth into mine.
We have, each of us, nothing.
We will give it to each other.