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rejectomorph

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Changing [Oct. 27th, 2013|06:57 pm]
rejectomorph
October breezes bring rains of leaves, and threaten to become winds as they bluster about the yards, rattling the dried lilac bushes and rippling the surface of the big water bowl where the birds sometimes bathe and the cats sometimes drink. A gust covers the bowl with lilac leaves, floating there like miniatures of Monet's water lilies. The cats will be drinking lilac leaf tea.

This bluster announces a change of weather. The last warm day is ending, and the night will be cold. There could be rain tonight, and tomorrow there will almost certainly be rain. Autumn is returning, and any mild days that lie ahead will be rare treats. But other treats will be hot chocolate, tea with biscotti, and bowls of steaming soup. Not to mention pumpkin pie. Wait, did I mention pumpkin pie? I didn't buy any. Well, maybe it will be on sale again around Thanksgiving.

Some cinnamon rolls after dinner, then, and hot chocolate. Hello again, autumn.




Sunday Verse



Woods


by Louis MacNeice


My father who found the English landscape tame
Had hardly in his life walked in a wood,
Too old when first he met one; Malory's knights,
Keats's nymphs or the Midsummer Night's Dream
Could never arras the room, where he spelled out True and Good
With their interleaving of half-truths and not-quites.

While for me from the age of ten the socketed wooden gate
Into a Dorset planting, into a dark
But gentle ambush, was an alluring eye;
Within was a kingdom free from time and sky,
Caterpillar webs on the forehead, danger under the feet,
And the mind adrift in a floating and rustling ark

Packed with birds and ghosts, two of every race,
Trills of love from the picture-book—Oh might I never land
But here, grown six foot tall, find me also a love
Also out of the picture-book; whose hand
Would be soft as the webs of the wood and on her face
The wood-pigeon's voice would shaft a chrism from above.

So in a grassy ride a rain-filled hoof-mark coined
By a finger of sun from the mint of Long Ago
Was the last of Lancelot's glitter. Make-believe dies hard;
That the rider passed here lately and is a man we know
Is still untrue, the gate to Legend remains unbarred,
The grown-up hates to divorce what the child joined.

Thus from a city when my father would frame
Escape, he thought, as I do, of bog or rock
But I have also this other, this English, choice
Into what yet is foreign; whatever its name
Each wood is the mystery and the recurring shock
Of its dark coolness is a foreign voice.

Yet in using the word tame my father was maybe right,
These woods are not the Forest; each is moored
To a village somewhere near. If not of to-day
They are not like the wilds of Mayo, they are assured
Of their place by men; reprieved from the neolithic night
By gamekeepers or by Herrick's girls at play.

And always we walk out again. The patch
Of sky at the end of the path grows and discloses
An ordered open air long ruled by dyke and fence,
With geese whose form and gait proclaim their consequence,
Pargetted outposts, windows browed with thatch,
And cow pats— and inconsequent wild roses.

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